Introducing

Celadon Cloisonné Enamel Imperial Four Nobles

Exclusively with Revolution

A collaboration born of shared reverence for traditional Chinese culture, the Celadon Cloisonné Enamel Imperial Four Nobles represents a remarkable union of horological artistry and cultural heritage. Created exclusively for Revolution in partnership with Benjamin Chee—founder of Celadon Haute Horlogerie, seasoned collector, and passionate advocate for Chinese watchmaking—this series is a celebration of craftsmanship and identity.

The inspiration behind the collection is both poetic and profound: the harmony of the Four Seasons expressed through the classical Chinese tradition of bird-and-flower painting. This is artfully paired with the philosophical concept of the Four Gentlemen, or Four Noble Ones—each represented by a plant symbolizing timeless virtues: plum blossom (resilience), orchid (grace), bamboo (integrity), and chrysanthemum (perseverance).

Words by Constant Kwong

There is no doubt that Asian watchmaking is on the rise, gaining recognition for its fusion of traditional craftsmanship and modern innovation. The independent watchmaking scene, in particular, has become a powerful platform to showcase Asia’s capabilities with brands like Atelier Wen, Kiu Tai Yu, Behrens Watches and, more recently, Fam Al Hut — pushing boundaries and attracting global attention.
One of the most underrated figures in this movement is Singapore-born lawyer-turned entrepreneur Benjamin Chee — a seasoned collector and passionate champion of Chinese horological artistry.

Left Image

Winter / Plum Blossom (梅)

A regal white peacock, cloaked in ermine-like feathers, stands amidst the stark stillness of winter. Around it, plum blossoms bloom defiantly through the frost — a powerful symbol of perseverance and quiet strength.

Paired with a red lizard leather strap with vertical grain to accentuate the red blossoms, while drawing the eye to the regal Ermine Peacock.

Left Image

Spring / Orchid (蘭)

Delicate orchids perfume the fresh spring air as orioles, vibrant in color, flit joyfully among the blooms. A portrait of renewal, elegance, and gentle joy.

Complemented by a light blue fine canvas strap, harmonizing with the pastel backdrop and enhancing the baby blue and soft pink hues of the orioles and orchids.

Left Image

Summer / Bamboo (竹)

In the tranquil shade of a bamboo grove, flamboyant birds of paradise burst into view. Their radiant plumage captures the vitality and exuberance of summer.

Matched with a yellow Italian Epsom leather strap, echoing the mustard tones of the bamboo-paper backdrop and letting the aquamarine, jade and vibrant birds of paradise take the spotlight.

Left Image

Autumn / Chrysanthemum (菊)

A sedge of red-crowned cranes soars above golden fields of blooming chrysanthemums. Together, they evoke the enduring grace of nature in transition.

Finished with a white Italian Epsom leather strap that provides contrast and allows the rich, warm tones of the reddish-orange dial — filled with cranes, clouds and chrysanthemums — to shine.

Left Image

Where Tradition Meets Tomorrow

After graduating from university, Chee moved to Shanghai from Singapore. It was a decision that transformed what began as a budding fascination into a lifelong love affair with Chinese culture. Immersed in its quiet elegance and refined grace, he began connecting with master artisans, captivated by their time-honored techniques and unwavering spirit.

He found joy in commissioning bespoke works, often infusing his own modern sensibilities into traditional forms. This journey ignited a mission: to preserve and celebrate Chinese cultural heritage in a contemporary context, while introducing the world to the artistry, ingenuity and enduring values of ancient China.

“In my second year at law school at the beginning of 2008, I had a choice of internships between the US and China, and I chose the latter because of my burgeoning interest in the land of my ancestors, ironically spurred on during my time in London, and I wanted to see what China was truly like, especially during such a momentous time of national pride as the 2008 Beijing Olympics.”

“Landing in Shanghai, I was amazed at the futuristic architecture and the faded elegance of the Art Deco architecture, holdovers from the city’s storied past in the 1920s and ‘30s, but I also immersed myself in the ancient and imperial history of the city and the wider surrounding Jiangnan area, especially in Hangzhou and Suzhou, prominent centres of Chinese art and culture over many centuries. I enjoyed the refined, elegant lifestyle of tea and art appreciation by the West Lake, as much as the delicate serenity of the innumerable water towns that alluded to the classical beauty of imperial China.”

– Benjamin Chee

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A Dark Horse in Watchmaking

Over 14 years ago, after Benjamin came back to Singapore, he founded his first brand Maison Celadon and, following that, Milléchron in 2018. Finally, in 2019, he launched his flagship brand, Benjamin Chee Haute Horlogerie (BCHH) — the ultimate embodiment of his vision for contemporary high horology — and in doing so, established Singapore’s first haute horlogerie brand.

In 2021, Benjamin Chee’s vision coalesced in Celadon Haute Horlogerie (Celadon HH), a premium arm of his brand that has since become a driving force in the elevation of Chinese watchmaking. What truly sets Celadon HH apart is Benjamin’s deep appreciation and understanding for Chinese art and culture, which is beautifully reflected in the brand’s refined aesthetics and commitment to traditional craftsmanship. One important detail to note: all of the watch dial designs were personally conceived and created by Benjamin himself.

Image: “Sunset Over Cappadocia”, from the BCHH Celestial Voyager series

In his own words: “BCHH is my flagship brand — created to embody a more avant-garde aesthetic and to push the boundaries in both complications and design, with prices starting from CHF 50,000 and up. Celadon, on the other hand, is rooted in the ethos of ‘Made in China with Pride,’ dedicated to crafting top-quality artisanal watches that reflect a uniquely Chinese aesthetic, deeply informed by 5,000 years of Chinese art and history.”


Master Lin Yonghua, one of three watchmakers in China certified by AHCI

Equally significant is Celadon’s close collaboration with Master Lin Yonghua — one of only three Chinese watchmakers recognized by the Académie Horlogère des Créateurs Indépendants (AHCI) — who brings with him exceptional mechanical expertise. Together, they’ve developed a series of remarkable timepieces powered by Master Lin’s fully in-house movements — the CH1, CH5 and, most recently, the CH4414, which features a jumping hour module.

The Celadon Century Cloisonné "Starry Night"

The Celadon HH Calibre CH1

The Celadon HH Calibre CH5

Century Paillonné "Golden Snow Azure" with Celadon HH Calibre CH4414

What truly drew me to this series, however, is the extraordinary artistry of the dials. Many of these watches feature meticulously crafted cloisonné enamel dials made by Grandmaster Xiong Songtao, one of Beijing’s most respected enamelers, who comes from a family that served as Imperial Enamelers to the Emperors of China for many generations.

A vase by Xiong Songtao named Sings in Praise of Auspiciousness featuring an enamelling of nine cranes, credit: homofaber

Grandmaster Xiong Songtao, credit: homofaber

Patek Philippe Dome Clock for Maison Patek Philippe Shanghai ref. 1644M in 2012, credit: Europa Star


Patek Philippe Dome Clock for Maison Patek Philippe Shanghai ref. 1644M in 2012, credit: Europa Star

As the third generation of Xiong’s Enamel, a family atelier founded in 1969, he is recognized as a preserver of intangible cultural heritage in China — and his work reflects that legacy with every detail. His enamel artistry has been commissioned by prestigious maisons such as Piaget and Cartier, and in 2012, he created a dome clock for Patek Philippe to commemorate the opening of Maison Patek Philippe Shanghai, with the reference 1644M “新上海” (New Shanghai).

Chinese Cloisonné

Cloisonné enamel, or jing tai lan (景泰蓝) — also known in Chinese as filigree enamel on copper — is an exquisite art form with over 800 years of history in China. The technique first arrived during the Yuan Dynasty (1271–1368). It was believed to have originated from Byzantine craftsmanship and was introduced to China via the Islamic world.It reached its artistic peak in the 15th century during the reign of Emperor Jingtai (r. 1450–1457) of the Ming dynasty, from whom it derives its name.

A pair of Ming Dynasty’s Jing Tai Lan bottles, credit: invaluable

Emperor Jingtai, the seventh emperor of the Ming dynasty

The creation process begins with shaping a mold from red copper. Artisans then sketch the design onto the mold and apply fine copper wires to form the decorative outlines. These cells are filled with colorful enamel paste, followed by repeated kiln-firing, polishing and gilding to achieve the final piece. Jing tai lan masterfully fuses the techniques of bronze work and porcelain artistry, incorporating traditional Chinese painting, sculpture and engraving. It is considered one of the most intricate and demanding enameling techniques. 

Over time, jing tai lan evolved independently of other global enamel traditions, reaching its peak with lavish commissions from the Imperial Court of China. Numerous provinces later developed their own distinctive schools of cloisonné, further enriching this celebrated craft and later, became popular in the west as well.

Applying fine wires to form outlines for decoration, credit: Istockphoto


Applying fine wires to form outlines for decoration

In contrast, in Europe, enamel watch dials first appeared in clocks and pocket watches during the 17th and 18th centuries, but it wasn’t until the 1940s and 1950s that cloisonné enamel dials truly flourished in wristwatches — a period widely regarded as the golden age for this intricate art form in horology.

One of the most renowned producers of cloisonné enamel dials was Stern Frères, a dial manufacturer founded by the Stern family, who later acquired Patek Philippe. Beginning at the end of the 1940s, Stern Frères crafted some of the most iconic and collectible enamel dials ever made, contributing to timepieces that would later become auction legends.

A Patek Philippe Ref. 2481 from circa 1952, featuring a cloisonné enamel “Pristine Forest” dial, was sold by Phillips New York in 2023 for USD 1,117,600, credit: Phillips Auctions

The term cloisonné — derived from the French word cloison, meaning “partition” — refers to the wires used to outline the decorative motifs before filling them with enamel. The process is laborious and demands exceptional craftsmanship, with very few artisans capable of executing it at a high level. As a result, production was extremely limited. Across all watch brands, only a few hundred cloisonné enamel wristwatches were ever made, making them prized rarities in the world of fine watchmaking.

Merging Chinese Art and Philosophy

One creation by Celadon that has left a lasting impression on me is the 2023 release of the Celadon HH Century Cloisonné “Duo of Swallows.” It’s a breathtaking piece that showcases the depth of traditional Chinese craftsmanship, featuring a cloisonné enamel dial inspired by bird-and-flower painting, or hua niao hua (花鳥畫). This revered art form, deeply rooted in Chinese culture, symbolizes harmony, beauty and our connection to nature — and it has long been considered one of the great treasures of classical Chinese painting.

The Celadon Century Cloisonné "Duo of Swallows"

The cloisonné trio launched in 2023 called “The Classical Scenes Of Imperial China

I was captivated by its beauty and refinement — moved by the intricate details and the way it so powerfully conveyed the language and spirit of Chinese artistry. It stirred something in me. I felt inspired to create a rendition of it for Revolution, one that pays homage to this tradition, while offering a fresh, contemporary perspective. 

In the same year, over dinner, Benjamin and I discussed a potential collaboration — one that would reflect our shared fascination and deep appreciation for Chinese art and culture. We wanted to create a timepiece that pays tribute to something many Chinese people can deeply relate to: the theme of the Four Seasons — Spring, Summer, Autumn and Winter — which has been beautifully expressed through the classical art of bird-and-flower painting. I asked Benjamin to conceptualize and propose ideas where it could meaningfully contribute to this project — and he did not disappoint. He suggested combining the Four Seasons with the Four Gentlemen, also known as the Four Noble Ones — a concept deeply rooted in traditional Chinese art and philosophy.

Bird-and-Flower Painting

Throughout Chinese art history, painting has centered on three distinct genres — landscape, nature and human figures — each developing its own traditions. Flower painting, a branch of the “natural subjects” category, came into its own during the Five Dynasties period (907–960). With flowers came birds: in Chengdu, the master Huang Quan (黃筌, c. 903–965) pioneered the xie sheng (寫生, “sketch-from-life”) technique, a highly detailed, naturalistic style favored by professional and court painters, in contrast to the more spontaneous xie yi (寫意, “sketching ideas”) approach.

Admonitions of the Instructress by Gu Kaizhi (c. 345–406), credit China Online Museum

Travelers Among Mountains and Streams by Fan Kuan (c. 960–1030)

Birds By Sketching Life painted by Huang Quan (c.903–965), credit China Online Museum


Birds By Sketching Life painted by Huang Quan (c.903–965), credit China Online Museum

Under the Song Dynasty (960–1279), this meticulous tradition flourished. Artists such as Cui Bai (崔白, c. 1044–1088) refined Huang Quan’s lifelike method, while imperial patronage reached new heights — most notably under Emperor Huizong (趙佶, 1082–1135). Renowned for his connoisseurship, Huizong was himself an accomplished calligrapher — creator of the elegant “Slender Gold” script — and a painter of birds and flowers rendered in exquisite realism yet imbued with poetic sentiment. His celebrated painting, Five-Colored Parakeet on a Blossoming Apricot Tree, exemplifies this union of precision, lyricism and calligraphic inscription.

One of the sixteen leaves from Immortal Blossoms of an Eternal Spring, painted by Lang Shining (1688–1766), featuring birds and flowers, credit China Online Museum

Emperor Huizong of Song, the eighth emperor of the Song dynasty

Five-colored parakeet on a blossoming apricot tree by Emperor Huizong


Five-colored parakeet on a blossoming apricot tree by Emperor Huizong

Successive dynasties preserved and evolved the bird-and-flower painting tradition, with each generation infusing it with new technical and stylistic nuances. This genre maintains a direct lineage to the imperial courts, embodying the rich heritage of Chinese aesthetics, craftsmanship and reverence for nature’s beauty — a legacy that continues to inspire Chinese artists to this day.

The Four Gentlemen / Four Noble Ones (四君子)

In traditional Chinese bird-and-flower painting, the “Four Noble Ones” (梅蘭竹菊) refer to four plants that each embody the virtues of a Confucian gentleman (君子):

Plum Blossom (梅)

The plum blossom (梅), one of the most beloved flowers in China, is revered for blooming boldly in the depths of winter, when nearly all other life lies dormant. It is seen both as a symbol of winter and a harbinger of spring — blooming most vibrantly amidst snow and silence, after other plants have shed their leaves and before new life emerges.

Its delicate fragrance unfurls in the coldest moments of the year, quietly yet unmistakably asserting its presence. Though neither the tree nor its blossoms are outwardly showy, they exude an ethereal beauty and tranquil elegance amid winter’s stark desolation. In Chinese art and culture, the plum blossom represents inner strength, quiet resilience and grace under pressure — a humble yet powerful symbol of integrity in the face of adversity.

Plum blossom painted by Yu Zhiding (1647–1709), credit China Online Museum


Plum blossom painted by Yu Zhiding (1647–1709), credit China Online Museum

Orchid (蘭)

The orchid (蘭) represents spring — a season of renewal and delicate beauty. Elegant and refined, the orchid’s form is slender and graceful, embodying a quiet strength without aggression. Its subtle fragrance, much like that of the plum blossom, is gentle and never overwhelming, symbolizing humility, nobility and moral purity. In Chinese culture, the orchid is often associated with the virtues of the cultivated gentleman: composed, modest and refined in spirit.

Orchid painted by Zheng Banqiao (1693–1765), credit China Online Museum


Orchid painted by Zheng Banqiao (1693–1765), credit China Online Museum

Bamboo (竹)

Although bamboo (竹) may not appear as imposing as the pine, it remains green throughout winter, with each segmented stalk stretching outward in quiet strength. Its hollow core symbolizes tolerance, humility and open-mindedness, while its remarkable flexibility — bending without breaking — represents resilience and inner fortitude.

In Chinese culture, bamboo serves as a powerful metaphor for personal cultivation and moral integrity: one who stands upright, adapts with grace, yet remains unyielding in principles. It embodies the ideal of yielding in form but never in character — a quiet strength rooted in wisdom and virtue.

Bamboo in Ink by Wen Tong (1018–1079), credit China Online Museum


Bamboo in Ink by Wen Tong (1018–1079), credit China Online Museum

Chrysanthemum (菊)

Chrysanthemum (菊) blooms in the brisk autumn air, heralding the arrival of winter. Its resilience in the face of cold symbolizes steadfastness and the strength to endure adversity. Revered for this virtue, the chrysanthemum was the favored flower of the esteemed poet Tao Yuanming (陶淵明, 365–427), a seminal figure in Chinese literati culture. For centuries, it has embodied the spirit of quiet perseverance and unyielding integrity.

Chrysanthemum painted by Wu Changshuo (1844–1927), credit China Online Museum


Chrysanthemum painted by Wu Changshuo (1844–1927), credit China Online Museum

The Four Gentlemen have been portrayed in Chinese painting for over a millennium, admired not only for their refined beauty but also for the noble virtues they represent — qualities long admired by the Chinese literati.

The Contemporary Case for Elegance

With the concept of our collaborative watch in place, next came the discussions on the case size. Lin Yonghua’s current in-house movement necessitates a 42mm case — perfectly reasonable, especially as it allows ample space to showcase the cloisonné enamel artistry. Still, I couldn’t help but wonder if a more refined size, perhaps around 37 to 38mm, might offer an even more elegant and wearable alternative. That resulted in me looking at a sub-genre of the Celadon line, the Celadon Claire de Lune (Celadon CL) collection.

The Celadon Century Cloisonné “Mandarin Duck” is housed in a 42mm case, highlighting a beautifully crafted cloisonné enamel dial


The Celadon Century Cloisonné “Mandarin Duck” is housed in a 42mm case, highlighting a beautifully crafted cloisonné enamel dial

The Celadon line is divided into three distinct collections. At the pinnacle is Celadon HH, featuring cloisonné enamel dials paired with Master Lin Yonghua’s in-house movements. Maison Celadon is the original and enduring collection, home to the signature Imperial models that first defined the brand’s identity. Lastly, Celadon CL is the brand’s newest line, dedicated to artisanal dials that highlight exceptional craftsmanship.

The Celadon Claire de Lune “Silver Snow Imperial Azure” from 2024, features a 38mm case with elegant teardrop lugs

The case measures a comfortable 10.1mm in thickness and features sapphire crystal on both the front and back

I decided to pitch an idea: why not create those exquisite cloisonné enamel dials and house them within the 38mm Imperial case of the Celadon CL line — something Benjamin had never done before? The proposal came with two major benefits. First, 38mm is, in my opinion, the perfect size for a refined dress watch, and the Imperial’s curvaceous teardrop-lug case is undeniably elegant — sexy, even. It’s also robust, reliable and makes it an excellent option for everyday wear. Second, this approach would make the watch significantly more accessible, offering exceptional value without compromising on artistry or craftsmanship.

Nature’s Symphony:
Conceptualization of the Dials

The first challenge was aligning the dial design with both our creative visions. From selecting the birds to determining background motifs and finalizing color palettes, every element was a collaborative back-and-forth to ensure balance and harmony. Here’s what we arrived at:

The final dial concepts

Left Image

Winter / Plum Blossom (梅)
“Ermine Peacock with Plum Blossoms”

A regal white peacock, cloaked in ermine-like feathers, stands amidst the silent stillness of winter. Surrounding it, plum blossoms bloom defiantly in the frost — the only flower to flourish in the heart of winter, symbolizing quiet strength and perseverance in the face of adversity.
Color palette: Ivory, ruby, gold

Left Image

Spring / Orchid (蘭)
“Orioles Amidst the Orchids”

Delicate orchids release their fresh, perfumed scent into the spring air as orioles, with their vibrant plumage, flit and sing among the blooms. A celebration of grace, renewal and gentle joy.
Color palette: Blue, pink

Left Image

Summer / Bamboo ()
“Bamboo with Birds of Paradise”

In the tranquil shade of a bamboo grove, a flamboyant pair of birds of paradise burst into view — their vibrant hues capturing the energy, exuberance and vitality of summer.
Color palette: Jade, orange, yellow, ruby, aquamarine

Left Image

Autumn / Chrysanthemum ()
“Chrysanthemum and Cranes”

A graceful sedge of red-crowned cranes takes flight above fields of blooming chrysanthemums, their wings catching the golden light of autumn. A poetic portrayal of grace, endurance and the quiet strength of nature in transition.
Color palette: Red, orange, gold

Each flower is paired with birds that best exemplify the elegance and grace found in classical Chinese paintings and traditional lacquered screens.

The next hurdle was producing the dials themselves. As noted earlier, every cloisonné enamel dial is handcrafted in the atelier of Grandmaster Xiong Songtao. His method differs from European cloisonné: he works with exceptionally fine gold wire — as thin as 0.04 to 0.07mm —demanding greater skill and allowing far more intricate imagery. For this project, he even devised a new, more complex technique that surpasses the cloisonné of imperial times. Yet executing that level of detail on a watch dial barely 30mm across presented an extraordinary challenge, even for him.

The decorative frame is meticulously formed by hand, using very fine wires, tweezers, and a great deal of patience

The painstaking step involves shaping the wire frame as precisely as possible to match the original template

Creating a single dial involves over 45 individual steps basically divided into four sub-sections:

  1. Laying out the design on a solid silver base
  2. Selecting and mixing each enamel color
  3. Shaping and positioning the gold wire by hand and tweezer to form every contour
  4. Firing the dial roughly 25 times at 900°C in a specialized kiln — adding and fixing each color layer by layer

This painstaking wire-laying stage alone takes an experienced artisan over 50 hours. At any point in the multi-stage firing process, the dial can crack, warp or discolor; fewer than one in 10 survive to perfection. Yet each success is timeless: cloisonné enamel never fades, and because every wire is hand placed and every firing unique, no two dials are identical — even when they share the same design. In that sense, every finished piece is a true one-of-a-kind.

A completed wire-framed dial depicting bamboo with birds of paradise, where each form is outlined in gold wire, ready for enamel application.

After framing the dial, cloisonné enamel powder—colored glass made from minerals and metal oxides—is applied in layers, each fired to seal the color.

A microscope is used to meticulously apply the various enamel powders, each corresponding to a different colour, before the dial is fired


A microscope is used to meticulously apply the various enamel powders, each corresponding to a different colour, before the dial is fired

Celadon Cloisonné Enamel Imperial Four Nobles

All of this culminated in the creation of the Celadon Cloisonné Enamel Imperial Four Nobles — a set of four timepieces, each representing a season and one of the Four Noble Ones. For both Benjamin and myself, this collection is a deeply personal expression, harmoniously blending our shared admiration for Chinese culture, art, and horology.

Each watch is housed in a 38mm × 10.1mm 316L stainless steel case with Celadon’s signature teardrop lugs, offering a refined and elegant wrist presence. Despite the compact diameter, the watch wears closer to 39mm thanks to the extended lugs, making it suitable for a wide range of wrist sizes. The case is fitted with a screwed sapphire caseback and topped with a domed sapphire crystal.

The dial is paired with double-faceted dauphine hour and minute hands, accompanied by a polished central seconds hand — all beautifully finished to reflect light with sharp clarity.

Powering each timepiece is the Celadon-Grade Caliber ST18, a reliable and slim automatic movement measuring just 3.6mm in thickness. It features a custom rotor engraved with the Celadon CL seal, visible through the transparent caseback. The movement is decorated with perlage and Côtes de Genève striping, regulated in-house to an accuracy of within ±10 seconds per day and offers a power reserve of 42 hours. It beats at 28,800vph (4Hz) and comes with a five-year warranty, underscoring its dependability.

A Four-Way Collaboration

No exceptional timepiece is complete without an equally beautiful strap. For this, we invited another close friend and fellow Singaporean craftsman to join our project — Lin Yiyan, Founder of RSM Watch Straps. Yiyan is a pioneer in the Singapore watch scene and one of the best strap makers in the country. He began with military-style NATO straps and, over the years, evolved his craft to create some of the finest dress and traditional leather straps available today.

Lin Yiyan, founder of RSM Watch Straps


Lin Yiyan, founder of RSM Watch Straps

One of his most exciting recent innovations is a collection of straps featuring an Art Deco-inspired leaf motif, crafted from premium silk woven into a delicate, geometric pattern. It’s an elegant fusion of textile craftsmanship and contemporary design, executed through a complex, multi-step process that involves several specialized artisans — a rarity in the strap world.

The strap pairing process for the Celadon Cloisonné Enamel Imperial Four Nobles was an intimate, hands-on journey that involved the testing of countless combinations of colors and textures. Honest opinions were exchanged throughout, and the final selections were made with the goal of elevating the enamel dials while letting them remain the centerpiece of each watch:

Left Image

Winter / Plum Blossom (梅)

A regal white peacock, cloaked in ermine-like feathers, stands amidst the stark stillness of winter. Around it, plum blossoms bloom defiantly through the frost — a powerful symbol of perseverance and quiet strength.

Paired with a red lizard leather strap with vertical grain to accentuate the red blossoms, while drawing the eye to the regal Ermine Peacock.

Left Image

Spring / Orchid (蘭)

Delicate orchids perfume the fresh spring air as orioles, vibrant in color, flit joyfully among the blooms. A portrait of renewal, elegance, and gentle joy.

Complemented by a light blue fine canvas strap, harmonizing with the pastel backdrop and enhancing the baby blue and soft pink hues of the orioles and orchids.

Left Image

Summer / Bamboo (竹)

In the tranquil shade of a bamboo grove, flamboyant birds of paradise burst into view. Their radiant plumage captures the vitality and exuberance of summer.

Matched with a yellow Italian Epsom leather strap, echoing the mustard tones of the bamboo-paper backdrop and letting the aquamarine, jade and vibrant birds of paradise take the spotlight.

Left Image

Autumn / Chrysanthemum (菊)

A sedge of red-crowned cranes soars above golden fields of blooming chrysanthemums. Together, they evoke the enduring grace of nature in transition.

Finished with a white Italian Epsom leather strap that provides contrast and allows the rich, warm tones of the reddish-orange dial — filled with cranes, clouds and chrysanthemums — to shine.

Each strap was carefully chosen to complement and elevate the enamel dials, which are undeniably the stars of this collection. These combinations strike the perfect balance of harmony, elegance and cultural expression.

The Celadon Cloisonné Enamel Imperial Four Nobles is offered exclusively on a subscription basis, made to order with a one-month ordering window from the official launch date.

To reward early supporters, the first 25 pieces of each model will be individually numbered — a gesture of appreciation to collectors who placed their trust in us from the outset. However, the first five pieces of each model will only be available as part of a complete box set featuring all four watches — Winter, Spring, Summer and Autumn — celebrating the harmony and cultural richness of the Four Noble Ones in their entirety. The rest may be purchased individually.

Four Noble Ones Box Set handcrafted in Burmese rosewood


Four Noble Ones Box Set handcrafted in Burmese rosewood

These five box sets are crafted by a master artisan — a close friend of Benjamin — who has been in the fine woodworking trade for over 30 years. Each box is constructed from Burmese rosewood (缅甸花梨), a prized and collectible hardwood known for its durability, fine texture, rich grain and resistance to cracking or decay. From raw material selection to final polish, each box goes through 27 meticulous steps, including traditional techniques such as mortise-and-tenon joinery — the same ancient method used in traditional Chinese architecture.

PURCHASE FULL BOX SET

 

The box set is meticulously hand-polished to achieve a smooth, lustrous finish


The box set is meticulously hand-polished to achieve a smooth, lustrous finish

Every decorative element is hand engraved, and no two boxes are exactly the same. As a final personal touch, owners of the complete set will be invited to customize their boxes with an engraving of their choice, and Revolution will oversee this process with them.

The Celadon Cloisonné Enamel Imperial Four Nobles is priced at SGD 13,880 before taxes per piece. The complete box set of all four watches is available exclusively on our website for SGD 55,520 before taxes.